The Second Boston Trip (II)
[info]arcyoung
Looking back, I was a little bit indifferent to him. I mean I was not really interested in what he told me. Our conversation somehow lost its unusual flavor that it used to possess. To a certain extent, I was bored by the conversation. Trite topics -- Tibetan politics, China & Taiwan, etc. I think I had to pretend to be interested in these issues and tried hard to respond, to interact with him. I asked what his Tibetan trip was like, while I was just trying to create another issue to carry this conversation forward, more bluntly, to end this conversation. I had no interest in him anymore. That night we went to bed early and I had a sound sleep. I did not try to have sex with him anymore, I had no desire to have him, no desire to be had by him. That was our first day.

The second morning we got up early because he had an interview in Canton, Massachusetts. It's a contract job, only 6- to 9-month long. But he decided to give it a try. At first I just wanted to stay home and sleep over. Then I thought it would be a good idea to accompany him so he would not feel so bored. He rent a Zip Car. We stopped by the Starbucks on our way to pick up the Zip Car. We drove all the way from Boston to Canton. His 3G phone was turned into a GPS and I held the device all the way along to help him get the right direction. The signal was kinda poor on the highway, so when we got to Canton we were totally lost. He drove around relying on his instincts. But in this case, in a small suburban town, his instincts simply didn't work anymore. He tried again with his mobile phone and we managed to find our way to the company. He went in to have a interview and I stayed in the car, listening to the radio and slowly reading a book. It was long wait, but somehow I didn't feel bored. I called a friend in New York and had a long talk on the phone with her. It was a long long conversation, jammed with a lot of grand issues (multiculturalism, Charles Taylor, philosophy, China & the West, Culture, etc). Soon after the conversation, he came back. He was not passionate about this position he told me.  But he hoped he could get it so finally he could turn it into a long-term, permanent job. I listened to him, silent. It was all so silent. I can't remember what I was thinking back then. He was driving, concentrating on the traffic. From time to time, he would tenderly call my name "Oh Luke, Luke..." Occasionally he would be murmuring something I could not hear. I did not know what he was really thinking. He extended his hand to me and clutched my hand tightly. His hand is so much bigger than mine. Our fingers crossed. Rays of sunlight penetrated the windows and shone on us. It made me feel warm. I held his hand, tenderly moved it up close to my mouth and left a kiss on it. Something was coming. I don't know what it was. Neither was he.

We finally got back to Boston. The city looked so different from a car. Irregular buildings and sophisticated railway system.... It seemed to me that this city is not delicately designed as many modern cities. But this irregularity itself gave out a strong sense of history. It's the oldest city of the United States, after all. We drove to the Home Depot to get a ladder, an electric tape, a lamp and then went to his condo to replace the old lamp there with the newly purchased one. He was happy that I was with him because there were simply so many stuff that he single-handedly could not handle. So we spent a good one hour in his condo. My tools English was not very good so it always took me a long time to give him the right tool he wanted (a screw, or a screw driver, or a flat screw driver, etc). He eventually managed to install the lamp but failed to attached the diffuser to it. We had to go back home and he decided to hire an electrician to do this job. We left.

We returned the Zip Car on time. I was surprised by the fact that there were only a few parking spots for the Zip Car. I'm not very familiar with the system so was really curious about how this company works. But that's another story. He began to tell me something he phrased as a bad story. He hesitated but told me that he had sex with a rich guy from the Vanderbilt family the week before. It was just random sex, it sounded to me. He told me this because he thought he could use that as a therapy to overcome Eric Huang, the guy who he was very attracted to and is more often than not quite indifferent to him. This turns out to be a bad beginning of my trip. Some random sex can easily destroy his good image in my mind. But there were more to come that almost killed him in my heart.

The Second Boston Trip (I)
[info]arcyoung
 I came back from Boston. Disheartened, once again. The reason why I went to Boston at all was perhaps that I really wanted to test my ability to love someone. In this case, have the ability to love Marcus McCown. Specifically regarding this case, I'm not sure if I still love him or not. Before I booked my flights to Boston (Oct 1 - Oct 5), I already made up my mind not to go there to visit him. At a certain point, I felt that I could move on without looking back at him again. But a night phone conversation with him changed my mind. More accurately, the sadness that flew out from his voice changed my mind. Maybe I am too soft-hearted a person. I immediately sympathized with him and decided that I should fly to Boston to be with him, to make him feel better, to offer him a hand and pull him out, if only temporarily, from his emotional turmoil. It turned out to be a rather unwise decision I have made. 

He told me that usually he would not go to the airport to pick people up -- those who have been to his place, or to Boston in general. So, according to this account, I should be counted as an exception. I have been to Boston once and am old enough to find my way to his place. I demanded that he show up in the Logan International Airport to take me home. He acquiesced. As usual, he gave me a big hug and kissed me on my right cheek, full of emotions. We went home and slept for a few hours. Remember - I slept for only a few hours the night before and had to get up very early that morning to catch my flight; and he, had a sleepless night. We woke up and then had sex. It was oral only. For some reason, I was not aroused by him at all. Perhaps I was too tired. Or perhaps I was not into him any more. I performed this sexual act anyway. Only to seek the confirmation from myself that I remain able to love and from him that he is still attracted to me. At this level, I have to confess that he was somehow relegated to the status of a sexual object that is used to test my subjectivity. This sexual act was certainly a shameful deed. After sex, we then went to the Chinese restaurant to eat the frogs -- baby chickens, as Marc once jokingly put it. I paid for this meal, using mom's Bank of China Great Wall Credit Card. He found out that I was using my mother's money and that made me feel really bad. I sort of light-heartedly said that my mother was so generous as to give him a big treat. We laughed, we had a good time. In the afternoon, he took me to the freedom trail and showed me around. We went to a little marketplace near the freedom trail, which seems like a famous tourist site. I had no idea where we were heading and sort of followed him. We bought a few cakes in a taiwanese bakery shop after the lunch en route and took them to this marketplace. Marc bought coffee. And then we sat down in a corner, sipping coffee and eating the cakes. I noticed that there was an old couple nearby. They were very old, sharing a small plate of french fries covered with ketchup. It was really simple food but in my eyes that seemed to be the best food in the world for them. Love, in my eyes, is made deeper and profounder by time, expressed through simplicities. That larger force behind their love touched me. In a while, we went back home.

The Bridges of Madison County
[info]arcyoung
The first time I encountered 'The Bridges of Madison County' was when I was a three- or four-grader. A time when my family still lived in an apartment close to the headquarter of the Jiangxi provincial committee of the Chinese Communist Party. It was a nice, quiet little place with steel fences painted green and lots, lots of flowers and trees. Back then life seemed very slow and my parents, primarily my father, would borrow a lot of video cassettes from friends. Many of those videos were American classics, the rest were the latest Hollywood movies. My father was very strict with me so I did not get to watch those movies as I wished. I remember, my father would prohibit me from watching or even touching certain titles. One of them was 'The Bridges of Madison County' (read 廊桥遗梦 in Chinese). Like any other children in the world, I developed a more long-standing curiosity about those strange titles under my father's strict missive. The Chinese translation of the title read like a fairy tale and for quite a while I thought it was a fairy tale. 'If it's a fairy tale, why doesn't dad allow me to watch it? It must be a very fun movie and dad's just too harsh, perhaps a little sefish to keep it all to they two, in the name of fostering a strong self-disciplinary spirit in me.' I thought. Looking back from now, I think I was right in that this movie is indeed a fairy tale clad in realism. My father was not wrong either because it's a fairy tale way beyond a three- or four-grader's comprehension. Certain titles are just not for kids but only for those with much experience who have gotten some taste of real life.

The movie is starred by Meryl Streep. I never have affinity with her - never thought she's a good actress. Maybe she's too stable an actress and therefore she's not adjusting enough. With this type of thinking in mind, one can easily conclude that she's a type of actress that tailors movies to suit herself but never the other way around. In general, her performance is good. Meryl Streep is an Italian immigrant who comes to the United States with her WWII soldier husband and settles down in Iowa. Life is very plain to this former teacher who reads W.B. Yeats from time to time. To use her own term, life is a life of details: arranging beds, cooking, washing dishes, etc. - until one day when her husband and two children go to Illinois for an exhibition. The appearance of a strange visitor. A photographer named Robert comes to the country to take some shots of a beautiful bridge nearby yet gets lost in the vastness of the country. The Italian woman Francesca displays her friendliness to this man coming afar by directing him to the right site. A few quick exchanges evolve into a personal touring, a warm talk, a cluster of beautiful flowers and a nice dinner. He comes into her life like a light breeze, slowing opening her heart to another being, another world. A world Francesca once dreams of but never has the chance to visit, to look with her own eyes. She wavers with the breeze. Should she let her self flow with her feelings or should she refrain from this possible emotional turmoil? She does not know. All she knows is that she likes and eroticizes this man; all she knows is that she lives in a very small, conservative town that embodies the traditional American family ethics; all she knows is that once her affair with this man is publicized she will become a public enemy of people in this little town. But - she chooses to dream a dream, live a dream. She courageously falls in love with this man, makes love with him. It is perhaps one of the happiest moments in this woman's life. But it's a short-lived dream anyway. Robert has to leave, her family is coming back home. At the same time, she loves him but she loves her family also. What should she do? What decision should she make? To elope with this man or stay and be a responsible mother and wife? Francesca chooses the latter. The movie takes a emotional turn. Robert says it's once-in-a-life moment for him, while Francesca cries with agony knowing letting Robert leave her is letting Robert disappear forever. Francesca peacefully stays home and welcomes her family back, as if nothing has happened. Not long, her husband drives her to do some grocery shopping. After that, before her husband comes back to seat, Francesca finds Robert's car in front her. And there is Robert, soaked, earnestly in love. Francesca is shocked and thrown into uneasiness. On the one hand, there's this man with whom she's spent a few eternally beautiful days with. On the other hand, there's another man to whom she's married and with whom she's lived for quite some time and has a family. The most dramatic moment is when Robert drives his car up before Francesca. Robert stops his car and waits for her patiently. He slowly hangs Francesca's necklace onto the mirror, sending a strong singal to Francesca who is in the car behind. She almost opens the door, wanting to jump into Robert's car. But she's late. Her husband keeps honking the horn and Robert has to leave. With the rain falling down and Robert's car disappearing without traces, Francesca cries and cries, howling with great agony. That is her last sight of this man she deeply yet shortly loves. For the rest of her life, she acquires her inner strength from this extraordinary experience. Whenever she thinks of him, she is re-energized to live her life, to dream a dream and live out a dream.
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You and I
[info]arcyoung

Marcus and I have been back in touch again since his trip home in Oregon. Strictly speaking, I was 'tricked' into talking to him on the phone. That was a Sunday afternoon, he sent this text message saying 'I really need to talk to you. Can we talk?' Judging from the wording, I thought something serious must have happened to him. Only later did I realize I thought too much. Now I can't recall who initiated the call. He talked endlessly on the phone with happiness. He said it was really good to hear my voice again. And I could sense in his voice that there was this sheer excitement that he cannot withold. Family issues were used as his pretext to approach me. Something did happen


Rememberance of Things In the Morning
[info]arcyoung

I came to school one hour ago. With music from iPod still haunting my ears, I decided to sit down and recollect myself through writing an entry for my blog. 

A few days after I got out of this weird relationship, things all seem back to normal. Marc's voice slowly fades away and retreats to the space reserved for memory. In my head, his voice is still fresh, still vivid and concrete. Marc's voice always amazes me with its wide range of manifestation. Sometimes his voice is strong and decisive, sometimes weak and fragile, sometimes cold and indifferent, yet sometimes bewitched and bewildered.... Never do I realize the strength of my faculty of hearing until a time when his voice ceases to viberate in the air. This particular faculty has been sharpened and refined by the distance that keeps us apart. And sadly, it will be this same distance that renders the faculty of hearing rusty.

I got up this morning without the conversation with Marc. A reality I have got used to. We often had a morning conversation everyday. The time difference of two hours made his calling me at 8 am (eastern) totally impossible. I was the one who always initiated the call. The morning call usually lasted no more than 30 minutes. I often started the conversation with a rather lazy 'Hello' that had a power of bringing people back to sleep. Marc always liked that. It was quite evident in his voice - the previously confident, full male voice that gave off a ray of maturity and experience would turn into a rather boyish voice that could tickle people with a sort of naivete and innocence. I always liked this subtle change in his voice. There was no pattern for the rest of our conversation. It could be anything, from silly jokes to serious discussions of life. But this morning, yes, this morning, I was up without a voice, only with a half-empty heart. Suddenly I realized that maybe life cannot be discussed but only be felt in silence.

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Roman Holiday
[info]arcyoung
 That people don't voluntarily clear up their mess until the last minute -- usually under the great pressure  -- seems like an iron law. I checked out Roman Holiday from the public library two weeks ago and invented all sorts of excuses not to watch it. Until tonight, one day after the original due date. There is always a price to pay for procrastination. In this case, a small, affordable fine of one dollar.

Roman Holiday is a story of the English princess who finishes up her goodwill Europe tour in Rome, Italy. This beautiful, elegant princess, although very well served by her royal crew, is rather unhappy with the boring everyday routine following which she greets the noble and delivers well-scripted ceremonial speeches. A cold and mechanic routine that kills her individuality and almost drives her crazy. She is bold enough to flee from the palace and take one day off during which time she is struck by the current of love and tastes its fresh flavor. Mr. Bradley, a journalist from American News Service, by chance meets the princess near the public fountain and eventually takes her home. When he finds out that the girl he entertains in his little apartment is princess herself, he is overwhelmed by this unbelievable excitement that any paparazzi only knows too well. He makes a $5,000 deal with his boss, confident that he will eventually be able to write up a story revealing the princess's private life. With such a deal in head, he encourages the princess to take one day off and takes advantage of this rare opportunity to experience and explore the everyday life of ordinary people. Many a things so ordinary come across princess's delicate life for the first time, from new hair style, ice cream, to marketplace and scooter. Suddenly princess's life is tainted with a hue of real delight and added with a fresh breath. Artificial burdens unloaded from her shoulder, the princess enjoys a glimpse of life and develops a rather subtle emotional attachment for Mr. Bradley. This can be well observed in their dancing. With the nice and slow music flowing, the princess gradually leans towards Mr. Bradley and for quite a while she lays her cheek on his shoulder with a little happy restrained smile that gives away a ray of dignity and also a fresh scent of youth. Mr. Bradley, on the other hand, aims to dig out as much as he can. With a story figured out in the first place, Mr. Bradley lures the princess to try as many things as she wants. Among them smoking, driving a scooter, visiting the wish wall in Rome. At the same time, with the aid of his friend Irving, many photos of the princess are taken without notice. However, Mr. Bradley cannot resist the magic of love either. The acute sense of a journalist (or rather, paparazzi) is broken by that engrossing power. When he dances with the princess, he immerses himself in that atemporal moment, enjoying moving along and gliding forth with the princess. The moment of happiness, indeed. The adventure ends with tears in the princess's eyes and the silent turn at the corner back to the palace. So silent as if nothing has ever happened. The princess is now back to the palace, to that old, suffocating milieu. She holds a make-up press conference the next day as a concluding mark to her entire tour. During the conference, she sits high above, journalists stand many steps afar of which Mr. Bradley is one. The distance, the visualized gap of social status between the princess and the ordinary is quite a sight. The princess finally notices the presence of Mr. Bradley. All of a sudden, her eyes are watering yet she tries to hold her emotions. She performs quite well when questions are hurled to her. When someone asks which city she enjoys the most during this tour, she starts with an official answer but finally lets her emotions take the control and changes her answer to Rome, the unforgettable. According to the routine, she should retreat from the public after the press conference. The princess once again breaks the rules and initiates a round of handshaking with the front row journalists (Mr. Bradley is the second from left). When the princess and Mr. Bradley shake their hand, they gaze at each other with little words uttered. Nothing is needed to confirm this unusual attachment developed in such a short time. So intense, therefore silent. Time to part from the other, eyes get watering again. The last sight of the other is the end of this short attachment. This is the end of the story.

Roman Holiday is a movie Marcus recommended to me. To finish this movie, for me, constitutes a part of forgetting him. The ending of this movie reminds me of what we had in Toronto and how we ended our strange relationship a couple of days ago. It elevates our past to a higher, more beautiful, purer level and at the same time brings me more pain and despair. For I don't know when I'll see him again. I'm not even sure when I should talk to him again. Maybe in a very short time, maybe years, maybe never. Yet this is life. Sadly.

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No Subject
[info]arcyoung
I've been back for a few days. But how many days exactly I can't remember. This must be amnesia. Who am I? Where do I belong? Last night when I was browsing all those pictures I took in the past three years, I was amazed by so many changes I've gone through. How did I make it? I can't remember. I can't remember...

Marcus and I had a chat on MSN last night. It was perhaps the least exciting chat I've ever had with him although a pretty long one. He talked about life in general, about how he positions himself against his family, about why he's been more cynical as time goes on. I was at loss. For the first time I realized I couldn't understand his world so well. I felt, for the first time, aside from physical distance, a chasm is laid down between us two. What is this chasm? Age difference. He is older. For a long time I position myself as the younger, the more vulnerable, the one that needs to be taken care of. But somehow in this relationship, I feel I am indeed an equal to him. Being an equal, I am supposed to understand his past and life world, and help him. But am I able to do that? For long I've been proud of the fact that I am someone that can analyze psychology. What happened recently seem to challenge this confidence. It turns out that, perhaps I am not so good at it, perhaps there's a world I can never know. Can i enter someone's psyche and then offer a solution? Maybe no. Maybe for a long time I enjoy doing this because of a kind of selfishness. And maybe, for long, I've been living in my own little world and all the engagement with the world is playful and irresponsible. On what ground can I help other people? Oh can I even help myself? Who am I?

Yes. Who am I? I'm someone who experienced identity crisis three years ago and is still threatened by it. I don't have a socially well recognized identity. Aside from that, I lack a cultural identity, a geographical residential identity. There is not even a permanent place where I belong. In the past three years I've been travelling here and there, in the next years I'll still be travelling. When will I see its end? Am I able to do that, ever?

I'm sad. I want to talk. But there's no one I can talk to right now. I feel so sad. I feel the urge to express all those strange feelings, to create a small opening on my heart to make myself feel a little better. I have to write, if not as a way of reflecting. But at least a way of expressing. In fact, I know who's there in my heart this moment I want to talk to so bad. He's not here. He's far away. You see, the geographical distance makes life so hard. A potential partner would eventually disappear from my life; the possibility might one day lose its vigor and shrinks to a cold hard fact. I miss him. I do. But when I want to talk to him, he is not here. He is far away.
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Up Early
[info]arcyoung

I thought I'd wake up at 7:45, as yesterday. I did not. A good sleep always seems endless, a bad one is full of chasm and uncertainty. My sleep was haunted with the image of Marcus: my holding this intimate guy far away, the self-consciousness of my attachment to him and the possibility of losing him someday. I couldn't pretend to be sleeping anymore. I woke up.

Chen Lan called me last night. We haven't chatted for quite a while. The first time we met I just entered junior high school. Back then my mom had a surgery at a local women's hospital. Chen Lan's mother was a nurse there. Soon my mom and her mom became good friends. Chen Lan was introduced to me as a sister and more importantly as a private tutor. I never seriously learned anything from her except a few techniques, as far as I can recall. I'd probably blame her for making me lose all my interests in physics. She's the one who taught physics as mathematics. If mathematics is all about abstraction, physics differs from it by its empirical component (the dialectics as I would call today). I still remember that she told me to take physics as another mathematics, to play with different formulas. Rather than understanding the background of each formula. In retrospect, I'd say my intellectual underdevelopment at high school could be partly attributed to her guidance. But what happened, happened. She's still a friend of mine.

We talked a few things last night. Kids, husband, household work and love relationships. She's totally changed into another person since the first day I met her. Today she's a peaceful and modest mother with two kids. Not an aggressive material woman she used to be. Life is powerful. I'd say it's life that has taken her where she stands today, how she positions herself and conceives her relation to her family. Perhaps a family is a structure that stablizes people in it and teaches people the importance of closeness.

Chen Lan knew I dated a guy before. Every time she inquires if i have a girlfriend yet. I lied to her last night. She sounded happy and thought I finally had hopped back to the right track. She started giving me hints at how to maintain a love relationship. She talked about the importance of living together before a marriage. That (living a life together) is important because two people finally see through the image one has for the other and therefore gets to know each other better.

I thought of Marcus and I, the future of us. Feeling pessimistic. I can't see the light of our future, only darkness. If there's ever light, it's a flash of light (just like fireworks) in the night sky. We are meeting up soon, in less than 30 days. What goes around, comes around. Two years ago we met on gay.com chatroom and I cheated him. Two years later we started chatting again on msn and now will meet soon. Isn't life interesting? It's just like a cycle that brings all the people in. Some will find each other and be together, some meet each other and never see again, some never have a chance to do that. I'd say I'm lucky because he's not forgotten me and I haven't forgotten him either. I'm lucky because we are creating something together, if only an image, an imagination.

I love marcus. He's romantic, loving, caring, sensitive. A romantic has his romantic way of life and death. I'm testing this statement now. And in front of life and death, reason simply flakes off.

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Online (long-distance) Dating
[info]arcyoung

I've been absorbed into the books in the past month. Three books have been finished: Theorizing Feminism (which was started a long time ago and has been read through word by word); No Place To Learn (which is written by two retired professors in the department of political science); and Introduction to Leo Strauss (which presents a brief analysis of Leo Strauss's major works). After feminism, my focus has been shifted towards identity politics and multiculturalism that are partly opened up by the third approach of feminism (the difference approach). To deal with this particular area, certain authors have been selected. Including Charles Taylor, Anthony Appiah, Nancy Fraser, Iris Marion Young, and Jurgen Habermas. A second thought exposes the weakness of this general direction: on what ground is the issue of identity politics and multiculturalism is meaningful? under or in what framework can this issue be discussed? I subsequently have found a course titled Justice on MIT OPENCOURSEWARE to deal with my particular question. Readings of this course are wide-ranging, from Jeremy Benthem to John Rawls. Such a wide coverage of major theorists in the past two centuries greatly interests me. Moreover, the course is designed in such a way that each newly introduced theoretical framework is complemented by concrete case studies like final decisions of the American Supreme Court. So structured, learner of this course is provided space sufficent in which what he has learnt can be applied. In an effort to deepen the understanding of the historical setting and biographical details of certain authors, J.S. Mill's Autobiography is chosen as a companion reader to this course. Having gone astray from the original plan, I have paid particular attention to the self-development of Mill as a philosopher and his romantic turn from the state of so-called 'reasoning machine'. The plan is abruptly interrupted by a man in Boston. His name is Marcus McCown.

Marcus is someone I got to know online about 18 months ago. I never paid attention to this guy. I simply took him as another random appearance in the chatrooms. Somehow we got to exchange our msn and so keep in contact. Once in a while, he sent me emails and left some offline messages. I never took them seriously. Just replied his emails in a friendly yet indifferent manner. Well, who would care about someone far apart and to whom I had had not feelings. Things began to change recently. He started to send me messages again. I cautiously replied some of the messages and thought it would just fine talking this person. Out of curiosity and the desire to reduce my tiredness, I chatted with him online. The more we chatted, the more emotional and fanciful we became. We talked about men, about marriage, about love relationships, about life, about so many different things. I began to be attracted to someone so life-oriented and so romantic. I could not help thinking that I would like this guy although he is so far far away. This reminds me again of the painful memory between Gary and I two years and half ago. It was a trap, a bottomless trap. Once you are stuck in it, it takes a very long time to get out of it, get rid of it and recover. I'm not sure if I want to do the same thing this time. It's very risky and perhaps even dangerous. Is it worth spending more psychic energy on a man I've never seen before? Would this deadly attraction to this man interrupt my study and life plan? Would this change my life in many ways? I don't know. Why do I fall into the same trap over and over again? I blame the city I live in too small and not culturally diverse; I wish to move to a bigger city, a multicultural city to fall in love. I want to leave Edmonton for Toronto. One thing I'm very sure is that I do not move to Toronto for Marcus. It's perhaps not worth it. I move there for my own purpose. I don't know... Confused.

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The Snow Day
[info]arcyoung

Tuesday, the first snow day this winter. Upon finishing this sentence, I start to question the grammatical correctness of the usage of "snow day". I am not sure about how a native speaker (or, more accurately speaking, an English major) would describe such a day. Snow day or Snowy day? I don't know. But I'm insistent about this usage because the source of the self-justification comes simply from my feelings. Because I feel I'm rightly describing this day in a way that particularly appeals to me.

It's the first snow day. Snow has been falling from sky down to the ground for quite a few hours (I'm not sure if it continues to do so at this time of evening). But it's not the first day snow makes itself appear in this city. Snow secrectly landed in an anonymous night, without notice. It hastily left us in the following morning among students' laughters, workers' busyness and elders' slowness. In this first snow day, snow dropped down smoothly riding the blowing wind, quite visibily. It unselectively landed on earth and covers the yellowish grass.The yellowish grass must have been longing for this moment for some time -- it needs snow as the comfortable blanket, as the energy source for the next life cycle to transcend death and its inevitability. People react to snow differently, though. Some, like me, are pretty excited about the arrival of delicate snowflakes, who always regard the snowfalling as a natrual performance of subtlety, delicacy, elegance and unpredicability. Some, like Jamie, are indifferent. Perhaps confined to a certain space, citizens of this snow country have developed some immunities to the changes and swiftness of snowflake dance.

I always like snow. As someone from south sub-tropical China, I'm always amazed by the beauty of snow. I like its color, which is a symbol of purity and innocence. I like its shape -- regulated and structural. There has been 10 years during which I never had any snow in winter. The most recent memory of snow in my childhood dated back to, 1991. I was 6, the first-grader. We had very heavy snow  and a lot of kids slipped down because of the road conditions. It was early 1990s -- in the south, a lot roads were built without the consideration of heavy snow. It was somewhat unusual that year. Kids made snowmen and threw to each snowballs. That's all I got in my memory. But let me talk about some more recent ones. The first time I saw snow again here in Canada was 4 years ago. It was some day in late October. I was sitting at the study desk in the Schaffer Hall. I never anticipated that snow could come so soon. But I saw it. Little, fragile and meallable, snowflakes began to cover the campus. I realized that fragile entitiies could also form a union to extert the strength. Rather happily, I thought I was the some very few lucky ones in this world to have been able to see snow again. To my surprise, most regions in China that year also got snow. It remains strange thing in my mind because somehow my dream of monoplizing the joy of living in snow was awakened. Many people back home also had the opportunity to enjoy or hate the snow. It was no longer a previlege, at least to the extent that it was scarce anymore. After a few years, it remains a previlege I guess. Because when people back home don't see snow anymore, I'm still seeing it (big time!). Though much later than usual.

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A Peaceful Week
[info]arcyoung

Once life slows down, there seems to be less and less you can write about. Perhaps it is an intentional resistance to over-fragment life because mapping out the fragments means going throuhg again all these details that have been regulated and contemplated upon thoroughly. Keeping the journal on a daily basis at best constitutes a way to release an extra amount of psychic energy, and at worst a disciplinary act to train the self. I failed to do the latter. But I find a highly regulated life has its own value -- one does not have to worry about the unexpected changes that might emerge at any time if only at the cost of some random pleasures.

Reading a small literary work can be a profound drive that pins me down to this online journal service. Love's Work has been finished. In other words, a profound drive is gone. I was trying to read Baudelaire in order to continue my writing project but somehow because of my diffidence with my command of English (which, I think, is pretty strong) has not "materialized". The book I'm dealing with --Theorizing Feminism -- is a reader-type book which conveys a bird view to people not familiar with this field. I like this book because it's arranged neatly and for the first time I have had a chance to understand this field systematically, if not historically (which I try to avoid). But this is not a type of work that would push me to put down my thoughts and feelings. In this case, my thoughts and feelings are not immediate as those generated by literaty works; nor are they deep and hard as those coming from philosophical works. Reading a textbook renders myself almost mechanical because the content table is well-designed and authors carefully selected. It's indeed a map that tells you here you should go there never step on. There is almost no room for exploration and further interpretation. Everything is prearranged and laid out clearly. No need to keep my thoughts in whatever format, a well crafted network in mind suffices.

Another reason I did not update my journal is simply that I did not have much to say, if journal is more narrowly understood as some intuitive aggregation of details in life. In the past few days, I lived an almost ascetic life -- get up late but regularly at a certain time, eat and drink peacefully, excercise with great determination, and sleep with a little uncertainty. I spent my day reading, going through details, laughing at certain self-contradictory points pretty obvious in these essays, trying to connect one theoretical perspective with another. Virtually I had no chance to talk to other people, to experience the liveliness and colorfulness of life. Life is dark and darkness, I suppose, needs no depiction.

I'm almost finishing Theorizing Feminism. With this I'm rather happy. Next I aim to finish Hannah Arendt's Responsibility and Judgment, Plato's Symposium, a Foucault Reader, Jurgen Habermas's Postnational Constellation. With that I then will turn into the normative political theories produced by say Charles Taylor, Michael Walzer, Anthony Appiah, etc. In between, I will selectively read some poems in order to engage in some creative writing.

So much for tonight. A pretty short entry though.
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Omayra and Inward Turn
[info]arcyoung

I will have to say something about what happened last Thursday, about my friend Omayra. It happen in the Thursday afternoon when I happened to be on campus. I did not go to campus often lately because studying at home is more effective and less time-consuming. The sole reason why I was there was that I had to fill out some forms to get paid by business school for the interpreting and translating I had done. In between, Omayra called in and asked if I had time for some talk. Initially, I was hesitant a bit. I thought this was simply another request for some language training. Perhaps I was still grabbed unhappily by the fact that she did not show up as promised and expected the week before. But I confirmed my availability -- she is my friend. And it turned out that the conversation was quite different from what I could have speculated and imagined.

The first time I met Omayra was about 2 years ago when I was taking a course on Hannah Arendt with Professor Anna Yeatman. Truth be told that I did not enjoy that course because of the exceeding demands from Yeatman. She was a highly self-disciplined academic but who , at least from my subjective experience, had failed to be a good teacher for the course I participated. It seemed that she was pretty obsessed with teaching undergraduate students and even worse, considered it as a waste of her precious time reserved for doing more meaningful research. I did not like her. Enough about Yeatman and come back to Omayra. One afternoon in the Rutherford South second-floor computer lab I was reading something online (or simply checking something out, I can't remember), someone started talking to me. I was surprised by this person -- a black student with some mysterious yet a bit confident smile on her face. I never thought this could actually have happened in real life -- to be approached by someone unknown in an unknown way. A bit dramatic in an anglo-american setting, I think. Yet it just happened. She said she saw the syllabus of this course about Hannah Arendt and thought it looked pretty interesting. She then deduced that the person taking this course must be very interesting as well. In retrospect, I remain convinced that it was indeed a bold way to approach someone strange. But it worked, for me as a relational being, at least back then. We became acquainted with each other. We later on had more and more conversations, none formal though. The places for those conversations were quite scattered -- HUB, Rutherford Library, SUB .... The latest intimate gathering with Omayra was though the summer philosophy reading group in which Yongdeok, Omayra and I read and discussed a variety of classic texts. It was after this gathering that we three people became closer friends. I think what can really bring us together and form a bond among us is the uncertainty to the future and the self. In other words, we three people are the perplexed, the negative. This is not surprising -- we are from other parts of this world than the West, yet to some extent, have been white-washed.

Omayra likes my peacefulness, although I sometimes doubt if I'm really peaceful. Nevertheless, I appear so in her eyes. She contacted me because she wanted to talk to me about her life and its progress. I was the listener. Listening and talking can be something used to measure the greatness of a friendship. Radicals hold the belief that listening is a passive act and talking is inherently vicious. I think differently. Listening is a higher act, an act that can transcend the active talking, appropriating the talker. Listener, by listening to the talk, finds a way to transcend the self. My peacefulness in Omayra's eyes interestingly comes from my tacit appropriation which gives the talker a certain direction, and perhaps more, could help the talker develop, enhance, or transform self's identity. With the unfolding of the conversation, Omayra gradually let out to me what she suffered in the past two years: the disengagement from her belief in the certainty of life (fate), the real clashes between herself and life, her desperation and dissatisfaction, her tears. She was the one who had the courage to tell me that she got quite a few Fs on the transcript. Sympathetic to her life in the past two years, I finally realized she put trust on me and saw me as a real friend. Thus, the significance of this conversation dwarfed the mere instrumentality of a fictional scenario I previously set up in my mind. The turning point of this conversation was when she said she lately began to feel a sense of self in her life, for the first time. Although unclear of what the self is and whether there is a destination awaiting this newly found self, Omayra was rather happy about it. She felt that she began to find a way to recollect tidbits and fragments from the previous two years. It seemed to me that she began to have some strength to bring these fragments together to map out or constitute a new self, a new life. I was somehow excited by her account of feeling. This certainly roused a sort of resonance in myself that not long ago experienced some similar difficulties but have repaired those breaches.

Listening can also be very powerful. Peaceful listening presents a mirror in front of the talker who sees self's own image. No, self's own images, images fragmented and unregonizable in the past, the chaos and uncertainty, the pain and tears, the anger and lonliness, the paradise and the paradise lost. Peaceful listening made Omayra almost cry. Her eyes were welled up a bit, I could see. I, as the listener, asked her not to cry, to hold the tears. I, the listener-talker, helped her to reflect on the past and transcend the very past. I appropriated her experience as a way to remember what I experienced in the past, was reminded of the self-transcendence and by doing so had generated new energy for the pursuit of a higher cause. I listend to Omayra carefully. I understood Omayra had already embarked on the road of modernity. On this route, there are greater challenges and difficulites, one must bear all the time the risk and threat of falling back to the pre-modern state. Alas, the pre-modern and post-modern are the same. But what characteristically summarizes modernity is, I think, the inward turn. The turn the self makes to dissociate from an unchanging, imposing order. The liberation of the self, the discovery and concentration of self, so to speak. Radicals have criticized this inward turn as something hopelessly malicious because this inward turn functions as a mechanism to internalize the disciplinary power. This understanding is too narrow. It certainly has brought up the awareness of this kind of danger but is inherently contradictory to the modern presentation of the inward turn. According to the radicals, the inward turn is not a mark of progression but rather a backward sliding into animalism unprecedented. The basic assumption of radicals is rather dark and pessimistic (or rather high and absolute). The radicals still operate under a kind of pre-theoretical regime and are happy to stay there for as long as they wish. I think there is progress and direction, life is meaningful and is not only and more than a power-relation. There is also dignity, self-development and truth in life. The message I sent to Omayra as a listener-talker was that life will be difficult after the recollection of the self (the nascent emergence of self) but it's worth all the efforts and hard work to appreciate and explore it. Because there is an end, there is certainty, there is truth and knowledge. With this implicit message lingering on, our talk was finished. The unfinishedness was not postured as a kind of openness but was intented as the requirement of freedom and equality manifested in time-space.
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Father and Son
[info]arcyoung
I did not wake up by myself. I was awakened by a phone call, as usual. Not Jamie, but another man. My father. When I semi-consciously answered the phone with an automatic, fluent English greeting "Hello?!", I was received with a strange, distant yet haunting Chinese local dialect. I was awakened, pulled back to reality and further more to the other side of Pacific, to a land I'm extremely familiar with, to a province where I spent my first 17 years of life, to a certain linguistic zone with which I remain deeply identified today. Yes, I was awakened by my father, I was reminded of the past, of the root and origin. Father started the conversation with some quite easy-going, simple questions that any parents would have for their children. I'm not sure if this is a deliberate set-up or a natural expression. If this is a deliberate set-up, father wanted to gently bring me to a state of clear mind and intended to engage me in some deeper conversation. If a natural expression, father simply defined his fatherhood through speeches, through words. I do not know, I do not care, because I can accept both. Both are valid and seem sound to me. Father and I talked about everything, but mostly on my studies. He was convinced that I am making progress on my studies everyday, that I have thought through a variety of issues, that I have gone deeper and further than father himself. It is always a interesting thing to see this complicated and delicate dynamic between father and son which, in our case, can be traced back to a highly disciplinary, hierarchical structure. My growth and early childhood education is a story of discipline, humiliation and obedience. I learned to discipline myself, to be shamed of myself, to respect parents and follow their orders. People here brought up in a North American context would always feel horrified when they hear a story like this. They would call for the public institutional intervention to address the power relations in the private. I remember the deadly silence in the car after I told Elmer "I also learned obedience at home." The deadly silence can be interpreted in many ways. It could be the sympathy to me as an abused-child-used-to-be; it could be the dissatisfaction with my unthinking, almost servile attitude on this issue. The learned might even argue it is a matter of civilization conflict and cultural difference. But to me, it's simply a matter of love. Pre-modern love, to use some notion under the Western theoretical framework. It's a love that comes from the universal order. It's a love that manifests itself through father's imposition of this universal order on me, through his hope that one day I could perhaps internalize this universal order, and perhaps more become a medium through which this universal order could be displayed. Too much theorizing. But I think the story of my early life is a story of love. When father no longer imposes, the child does not have to obey his orders; when father gladly admits his ignorance and son calmly brings exciting insights to father's mind -- the father-son dynamic has taken a new face. The previous relationship has been turned upside down, a new relationship is in place, irreversible. I have to take, keep and maintain the new relationship with a little sadness, with the memory of father's teachings and discipline, all of which will never happen again. Father tried to reinforce this new relationship when he described his encounter with the vice president of the Chinese Academy of Science and showed his gratitude to the praise he received from this scholar because of creative ideas he adopted from me. Unconscious a move it might be. The emphasis is now on me, on the son. The father now has learnt a great deal from the son, the father has been socially recognized to some extent because of the son. This is a major shift. A shift that father hopes to remain pre-modern. A shift that has the universal order I can take on, I can develop and expand, and the universal order that he can continue to rely on. I'm modern, however. I want to challenge father to think for himself, independently. I want to be a friend with him, to share my thoughts about truth with him. I do not want to impose on him in the way he did to me as a child. Father is not a child, physically. Father might be a child, but needs to be enlightened through some more sophisticated method, with given some time-space. I have taken the new relationship to fundamentally, critically change it. The universal order remains, but now it can be retrieved through a new father-son dynamic. A dynamic not as a repetition of the old relationship, but as a new one with equality and freedom.
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Aimless Wandering
[info]arcyoung
It's been almost three days since the last entry. I finally finished Gillian Rose's difficult book and have returned to the world of feminism. The reason why I chose to study feminism is two-fold: first of all, it has already emerged as a strong field reaching multiple disciplines like political science, sociology, philosophy and so on; second, I want to finish the unfinished business of feminism and I. I want to say a bit more on the second point. My first political theory class was, interestingly, feminist theory taught by Dr. Rita Dhamoon who back then resided in our department as a post-doctoral fellow and now teaches in a small college in Vancouver. I was extremely under-prepared for this class -- I had no idea of any framework in political theory and I knew very little of Canadian politics. What pushed me to take this class was simply my interest in political theory and my curiosity about women. I didn't do very well, however. Though with passionate help and sympathy from Dr. Dhamoon. With no theoretical background and no self-discipline, I got only a C for this course. An astonishingly low mark indeed. To pick up my study of feminism now says something about  my will to master this subject and perhaps more, wipe off my memory and rewrite my understanding of feminism.

MIT Opencoureware is very helpful to me. A portion of the courses taught in MIT is wide open to individuals all around the world. Strictly speaking, I'm not just simply following a particular syllabus. Rather, I take out parts of one course, rearrange the course contents to fit my personal interests. Take feminist theory I study for example, I look through the course outline and only identify the key of this entire course. That is,in this case, the book the instrutor of this MIT course uses. Because almost all the readings of this course come from the same book. My immediate response to this course set-up is "why not just read the entire book by myself?" I'm doing this and it turns out to be a quite effective method. To digress a little bit, I have also found some other rather interesting courses which I decide to take in the near future. These more advanced courses contain materials I'm not very familiar with and which I cannot easily manipulate. In this case, I will just follow the course outline and do what instructors ask his/her students to do. But come back to feminism. I think I have chosen a great book and really enjoy the way authors of this book choose to present all the materials. It's methodological, not chronological. At the expense of an overarching story, it brings clearity and specificity. It brings to us a feminism that has been analyzed and carefully read. It definitely saves us a lot of time from digging into certain historical disputes and directs us instead into the discussion of issues on hand. So far, I have finished the theoretical background of feminism and two of the three dominant approaches in this field (namely, the sameness approach and the difference approach). I am now dealing with the dominance approach whose representative in this book is Catherine MacKinnon. I initially had very big problems with her essays but have broken through after the little detour by Gillian Rose's Love's Work. I estimate that I could finish my study of feminism in roughly 3 weeks. So much about feminism.

Let me say a bit about what happened yesterday and today. I did some highly sophisticated work yesterday -- interpreting. I had never done that before. The lack of pre-knowledge of an activity I'm going to conduct always generates some fear and trembling. It was for a business lecture given to local officials from Chongqing. The lecture dealt with the commercialization of nanotechnology. Out of the fear and uncertainty, I spent quite some time reading through all the slides. Yet, it was insufficient. The presenter talked more randomly on this subject instead of following his presentation slides. Sometimes he just went off the track and then consciously pulled it back. This way of presenting certainly brought me a lot of difficulties. I had had to abandon a pre-established scheme in mind and make myself concentrate on what he actually talked about. Another challenge was that he tended to stop at a long interval. What makes this especially hard on me was that I had had to write down the key points at the cost of a full account of his speech. I feel I did not do a great job because, as a perfectionist, I indeed missed some points the presenter emphasized. What surprised me was that as a Chinese native speaker, I had trouble turning English into clear and simple Chinese. For some moments yesterday, I had to search for some colloquialism to make the presenter's ideas well understood. I'm rather happy with the final Q&A session. It was more interactive and I believe I did a really great job there. Through my interpreting, I rendered the discussion passionate and lively. Because of my interpreting, the audience got to nod their heads, take some notes and raise sharp questions. All had given me a sense of pride.

As for today, I spent about 1.5 hours doing an online survey for Alberta Education and have got their small prize -- a $50 Amazon gift card. After that, I went to school to get a few things done. But it ended up being entirely non-productive. I forgot to take with me all the necessary files and documents. Nothing done, I came back home, with a sense of aimlessness.

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Gillian Rose's Love's Work (IV)
[info]arcyoung
Love's work is a dialectic of power and powerlessness mediated through lovelessness, or loss. The final two sections of Love's Work are carried out along this central theme. In section 7, Rose travels back to her memory and retrieves moments shared with her Friend Jim. The Jim with whom she contrasts a 90-year-old lady concerning life attitude in front of death. Devote an entire section to a friend in one's final work surely says something about the importance of this friend. Jim is perhaps her best friend. Because of Jim, Rose's stay in New York becomes pleasant and gets streched far longer. With Jim, Rose learns a variety of things: music, philosophy, homosexuality, etc. It is the very same Jim who worries her, stupefies her. And it is perhaps also through the very same Jim that Rose learns to use herself as a test-case to articulate her own thoughts about life. As Rose observes when she gets a confessional letter from Jim-- "Jim put his self-alienation into world literature at the service of the examination of his life." One may well suspect that Rose's final work is largely inspired by her best friend. Rose firmly believes that every life is worth an account, a biography. It is this fundamental idea that pushes herself to write about Jim. About his sexuality, his love relationships, his addiction to cocaine, his death triggered by AIDS. It is through an recount of her best friend that she composes a new section in her final book, that she makes a further move in her own life. As a reader, perhaps an outsider, I'm deeply affected by the passage Rose quotes that not only resovles the problem of self-representation for Jim but also for Rose herself:

Who is entitled to write his reminiscences?
  Everyone
  Because no one is oblidged to read them.
In order to write one's reminiscences it is not at all necessary to be a great man,
nor a notorious criminal, nor a celebrated artist, nor a statesman -- it is quite
enough to be simply a human being, to have something to tell, and not merely the
desire to tell it but at least have some little ability to do so.

Every life is interesting; if not the personality, then the environment, the country are
interesting, and life itself is interesting. Man likes to enter into another existence, he
likes to touch the subtlest fibres of another's heart, and to listen to its beating... he
compares, he checks it by his own, he seeks for himself confirmation, sympathy,
justification...


Life is by and of itself. If no one is oblidged to read it, it is because it has its own value, independent of the readers. Rose, therefore, suggests a kind of mysterious force underlying the dialectic of love's work. She does not tell us what it is. Perhaps she does not know? Perhaps she does not want to know?

The section 8, the last section is Rose's reflection on her scholarship -- how she develops her theoretic interests, how she looks at the pre-modern, modern and post-modern, how she as a woman relates to feminism. She is consistent here, in the final part of her life. She tells us about her prank aimed at famous analytical philsopher J.L. Austin's wife, who is her teacher. She describes her little interest in the analytics, her strong and passionate engagment with holistic thinking, the grand-theorizing. She is affiliated with the speculative, the social, and, i think, the left. She describes three modes of being: the pre-modern, in which there is not self but only obedience; the modern, in which there is rational confidence; and the post-modern, in which there is only relativism and distrust. Rose is dissatisfied with the pre-modern -- the so-called revealed religion -- because she is fundamentally modern. She is unhappy with the post-modern because she believes that there's always some common ground. So she is modern, but only sadly. There is no ultimate end that moderns can subscribe to. She is tortured by the over-confidence of the modern. She calls for the unrevealed religion that delivers to us skepticism and the critical thinking that well complement the modern rationalist project. Yet she stops here. She doesn't move even a step further. She finally offers her criticism of feminism under the guidance of her own belief, the quite unstable and unreaveled religion. In this light, feminism, which always emphasizes the powerlessness and sexual oppression of women, falls short of an account of women's capability. If Gillian Rose was a feminist, this criticism shows her disappointment at it.

With the final wish to continue the struggle of life, to love, to exert power and be powerless, to woo, to grieve, to repose, Rose finishes her last section. And also her own life.

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Gillian Rose's Love's Work (III)
[info]arcyoung
Gillian Rose understands love: unhappy love and happy love. One stands for the separateness and loss, the other for a closed space ranging from finite certainty to infinite uncertainty. If there is a linear progress through which one evolves from the uncertain to the certain, Gillian Rose uses her magic to bend over this straight line and make a circle out of it, joining the finite certainty with the infinite uncertainty. Thus, in her own expression, lovelessness is the medium through which love gets transcended. The meaning of love is perhaps given against the background of lovelessness, the loss. Rose suffers the loss of her physical body, the very material condition. She cleverly ushers us in to the world of loss through a detailed account of her medical experience.

Rose, desparately against the loss of "control", starts this section with a hypothetical situation in which she is infected with AIDS. Under this hypothetical situation, AIDS is understood to be something that objectifies Rose and, ultimately, leads to her inability to control. She brilliantly points out two facts entailed: the loss of control against death and the loss of control over her lover's imagination. AIDS, for Rose then, would symbolize a sort of reductionism that tries to locate the very essence of and stablize her existence. The hypothetical comes true -- she's got the cancer. The discovery of cancer in her body is quite unexpected, in fact, quite shocking. Because for so many years she has kept a quite healthy lifestyle. No one knows what could ever happen; no one knows when the loss will arrive. With the cancer, Rose begins to lose the control over her life; no, has already lost the control. She is quite conscious of this loss and captures its bodily manifestation. The shitwork.

The shitwork is a provocatively natural account of how the body works after the colostomy. It does not concern the twisted body image, which, for Rose only constitutes the cliche. It only conveys a sense of loss. While reading the passage of shitwork, I was disgusted. Not, though, because of the rare appearance of this topic among the books that have been published thus far, but the vivid illustration of Rose's own excrement. As an imaginative mind, I could not help but think about and visualize her "uniform, sweeting-smelling fruit of the body, fertile medium, not nagative substance." The shitwork has certainly pushed me to the extreme concering the mode of writing. But, let's come back to Rose. The shitwork comes with a kind of gratitude, not indifference. It seems Rose quite naturally accepts the loss -- the bodily loss. As she writes: "there is no sensation in the stoma."

The latter part of this section instructs us the reason for Rose's calm acceptance of loss. Alas, there is not way to go back, to repair the breaches, to restore the unity. Just as in love, when lover and beloved lose the common language, the relationship is claimed to be over. Rose admits that she cannot find the common language with neither the medicine nor alternative healing. The loss of communication with the medicine is two-fold. On the one hand, the consensus concerning Rose's medical theorapy cannot be reached between the two leading doctors. Their opinions cannot be reconciled. On the other hand, Rose fails to repsond positively to the chemotheorapy. In Rose's eyes, these two facts well signify the loss of contact between herself and medicine: she is no longer able to communicate effectively with it. If Rose's first loss of communication is bodily, her second loss is theoretical. She is steadfastly against a set of metaphysical/religious teachings that constitute the core of alternative healings. In Rose's own words, if loss can be internalized, or taken up back in, then the loss can be dissolved. With such an awareness, Rose still chooses to refuse the baptization of another metaphysics. Another metaphysics of universal love; another possibility that affords the internalization of loss. Her refusion comes not so much from refusion per se but from the clear realization of the impossibility of going back, of making promises. Rose's protestantism definitely emphasizes the certral importance of subjectivity but, perhpas more urgently, underscores the ineptitude of subject.
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Apt To Be Solitary, Nevertheless
[info]arcyoung
I steal the title from Jeff, the poet friend of mine, believing this title best describes my mood at this very moment. The desire to be alone, to be disengaged from everyone else, both familiar and strange.

It's full of disappointments today. The day started off quite good though. Awaken at a fairly early time (at least to me, anyway), I spent the entire morning fetching my package sent by Amazon. Although a new post office has been assigned to be in charge of parcel/package delivery in my area (I suppose), this new fact does not dissolve the difficulty of reaching the physical presence of mail system, especially for someone who does not drive a car. I was not angered by the fact the newly assigned post office is actually 25 blocks away instead of 14 as it used to be. For one thing, there's at least the transit system I can take advantage of to arrive at the right spot; for another, I eventually got to feel my books this morning. I ordered three books from Amazon at discounted prices: Kant's third critique (Critique of Judgment), Herbert Marcuse's Reason and Revolution, and Martin Heidegger's Being and Time. Two world-renown masterpieces, one well-known to people in a certain circle. Seeing and touching the books always make me happy because both generate a special feeling inside me that somehow gives me the willingness to conquer some visible objective territory, although unknown. I went back home after this time-consuming exercusion into the post office. Pushed by the curiosity but maybe more by the excitedment, I opened Being and Time and read the first couple pages -- the forward by a philosopher living in New York. The clarity of this little essay not only made me suddenly interested in Heidegger's system but, more importantly, drove away some of the fears of dealing with a philosophic work that has been said to be very very difficult. It turned out not to be that difficult, at least under the guidance of the New York philosopher. It was a very good start, indeed.

The first disappointment came from Yu Simin, the research assistant in the China Institute, a long-time acquaintance of mine. I was simply asking him if he was in office or not. Quite contrary to what he said to me, he was home. Oh well! I then questioned if he could open the office for me on Sunday. Raising such a question did not come from nowhere. Studying in the office is almost a routine for him, as far as I know. Upon hearing my question, he agreeingly reponded with a further inquiry concerning at what time could I make it on Sunday. With no clue in mind, I intuitively told him I would inform him of the exact time on Saturday. Annoyed, he complained that I was bossing him around. His discontent originated from his obedience to the contractual rules -- if I ask him to do me a favor , I must willingly lower my personality to fit his preferences. Following this thread of thought, I must pay attention to the intonation of my speech, and moveover, refine its structure and grammar. Right, all for the sake of balance. To either balance oneself in or out. Disappointment came from my dissatisfaction with tthe notion of balance and my insistence concerning the independence of subjectivity. No room for supplication and cajolery.

The second disappointment came from Omayra, a good friend of mine. Very elegant and romantic African lady. Oddly enough, a potential literary genius chooses (or, is forced to choose) Economics as her major. Born (or self-trained) a perfectionist, she has hitherto gone through pains and illusions. Her recent focus is on Chinese language and the Chinese civilization. With strong will to deepen her understanding of another time-space, she demands some help from me. As her good friend, a native speaker and the organizer of the Chinese Conversation Club imbedded in the department of East Asian Studies, facing such a request, I made my promise. Sadly, she never showed up. Sittig quietly in the classroom, I felt a bit distracted. The second disappointment is the disappointment for the break-down of promise. When promise no longer fulfilled, the closeness is wrenched open, the emptiness comes in and uncertainty flows around. Behind the second disappointment lies my resistance to the emptiness and longing for a closed system.

The third disappointment came from Zhou Qingxiang, another good friend of mine. A very decent and quiet being. Although I was invited for dinner this evening, he was absent when I arrived at his place. Having waited for about 10 minutes, I chose to leave for home. Truth be told that I should not complain too much about it because I myself often break the rules and promises. The third disappointment becomes a disappointment because of the previous diappointments. It is not so much factual as representational. It serves as a grand opening through which the previous two streams of unhappiness leak out. I don't blame Zhou Qingxiang then. I only articulate some dissatisfaction through the image of Zhou.

Enough for today -- a day of disappointment.
 

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Gillian Rose's Love's Work (II)
[info]arcyoung
It's been a long day for me, a little different than any other days in the past two weeks. I had a relatively good sleep and woke up early at 9 o'clock when Jamie called in. I was awaken, not conscious of that seemingly endless tiredness but the potential energy for the day. It was a good start. I spent the first two and a half hours reading Rose and then met Yongdeok for a quick lunch in the Japanese restaurant nearby. I subsequently met Dai Yingchun for another interesting little chat. Two chats made my day, having exhausted the fountain of my words for today. Trying to continue with the newly established routine of keeping a journal, I come back to Livejournal with the intention to compose a little essay here to elucidate Rose's notion of love. Keeping a journal is indeed an ambitious move, and has created for me satisfying pleasures but, nevertheless, pressure and desire to be perfect.

Love's Work is by far the most difficult literary work I have ever read. While reading this thin book, I couldn't help asking why Gillian Rose likes using so many big words to describe her subjective experience, as if the subjective could be elevated to a higher realm and glorified with the adornment of rarely used words. I have gradually realized that my problem with her vocabulary is not necessarily tied to the diffidence in my command of English. Yongdeok, for example, confessed that this book does contain certain vocabularies that can barely reached by the literate majority. This confession has brought me relief, though it does not help me understand this book at all.

The part following the previous travelling and her account of childhood is somehow a big shift right into the late adulthood. Late adulthood because she passed away when in her 40s. Rose shares with us her experience of love. I read this section twice: the first time being only a simple go-over dealing with the vocabularies, the second time being a more careful study of the content. Rose brilliantly makes an analogy between writing and love, although in her eyes love is greater than writing. The similarity between the two lies in the unexpectedness. As Rose puts it: "[...]writing is... that mix of discipline and miracle, which leaves you in control." Love is also some strange combination of the two -- power and surprise, might and grace. It is in this context Rose brilliantly takes us to review her early childhood education concerning sexual procolivity. Love at this stage for Rose is to be, to own, to have, to identify herself with the other. More specifically, with a man on TV. The failure to be the man she loves results in her abondanment of her lover, her identity. Quite natrually enough, Rose reveals to us her wisdom: "happy love is happy after its own fashion; unhappy love are all alike." But, for Rose, "the unhappiest love is a happy love that has now become unhappy." The extremity of this case simply comes from the daunting contrast between the two ends, the realization of the paradise lost. I'm not surprised that I'm using some religious language to describe Rose's love. Not surprised at all because I've sensed a strong religious message underlying this particular section and the one after. Rose wants to offer us a detailed account of her unhappiest love, her encounter with father Dr. Patrick Gorman. It all starts accidentally. They are colleagues. But soon Rose is invited for a small gathering with Dr. Patrick Gorman and his conferes. She is constantly challenged by Dr. Patrick Gorman's assertivness and thus pushed to experience her "limits and inhibitions." Isn't what love supposed to be so? Power and surprise. Rose is forced to face the assertive, no, aggressvie desire. Yet once and once again, she finds something new, some surprise. Willing to share with us a true face of love from a micro-level, Rose offers some deep thoughts about sex. She vividly describes the intercourse with some almost philosophic language. The intercourse for her, as the beloved, is a process in which the beloved to be pushed further and further, and overcome time and again by the lover, in which the name of the beloved is cried out to give the world some meaning, however ephemeral. Love consists not only of erotics but also of faith. Rose cleverly uses the contrast between daytime and night to illustrate this. "Night is the psyche time," Rose writes, the accumulation of some residual emotion and feelings. The residual needs to be expended, otherwise it would stage their revenge either through pain or insomina. Daytime, however, starts with emptiness, with faith, not passion, not eros. If faith and eros define love, love is eithical. For it charts out a map of the lover and beloved ranging from the touchable firmness to the abyssmal infinity. On this map, in this closed realm, two are held responsible for each other, exchange cares. So far, Rose has operated under the mode of happy love. The transition from the happy love to unhappy love is called, I think Rose would agree, Loss. The loss is simply a circular movement of lovelessness, transcending the love. Lovelessness is the "illimitalbe medium" through which love become operatable. The momentary union of the lover and beloved breaks down. It is a time when the lover disengages from the frightening desire and the beloved is hurt by the frightening desire "trusted to love." Rose believes that the face can be used as a tool to test the unity of lover and beloved: orafices and protrusions, noses and ears, lips and lips. Simple touches of two lips, for example. The failure of the intimate intertwinement of inner lips testifies the breach of such a union.

It is a tragedy. Loss seems inevitable. If Tony Bennett's For Once In My Life shows the great exuberance emanating from the unloved who is, for the first time, loved, then Gillian Rose shows the great sorrow from the beloved's inability to keep the love from loss. If every unloved harbors the dream of modernity, then, alas, every beloved possesses the anxiety of modernity.

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Gillian Rose's Love's Work (I)
[info]arcyoung

It's the last day of the long weekend in Canada, commemorating the Second World War soldiers and sacrifices. After more than 60 years, it starts to fade away from people's minds. Altough poppy flowers remain pinned everywhere, reminiscient of blood and heorism. The first time I became curious about this little red flower was 4 years ago, when I first came here as a visiting student to department of computing science. I took a computing science course taught by a Brisitsh lady on the subject "computer and society", a subject appearing strange enough to most students in that department. I took it, because I didn't identify myself as someone in that field. I wanted to feel different back then, as I believed I was quite different, different in a way that my natural talents were not revealed and fully recognized. But, come back to this British lady, whose name I can't even recall! The first time I raised a question about the little red flower I saw everywhere -- passing from one place to another -- was an evening when the class was over. She and I walked out of the building, chatting, slowly. I told her how I felt about Canada in general. I told her Canada was cold and quiet. Pace of life was so slow. She nodded her head agreeingly, with a sly smile on her face. She complained about the weather here in Alberta and told me a little about the moist climate in England. She talked about the ponds, the twittering birds and greens. She let out, if I remember correctly, a little sadness for losing and a little longing for the busyness of the city and lively interaction among people. When isolated for long, one misses the intensity and intimacy. After the friendly exchange, I asked her about the flower. She told me that the little red flower was poppy. People choose this flower as a symbol of commemoration because of a poem composed by a Frech poet. She never told me which poem and which poet. She was also surprised that we Chinese do not celebrate this day. So much for poppy flower and rememberance day.

I've been reading Gillian Rose's Love's Work these two days. I must clarify why I chose to read her last work. It all started unexpectedly. I was attracted to the ultra-leftist/ revolutionary maganize Telos quite some time ago. And I picked up the most recent two issues from the library and read a few pieces. One that struck deep was an essay on Gillian Rose. There was an even longer story behind the choice made picking this particular essay. My supervisor for my Honor's Thesis Catherine Kellogg was a radical leftist. The first time we met each other, we knew we were in the same boat. My unintentional remark on my interest in LOVE excited her. She gave me her own essay Love and Communism published in 2004. I read it in the Christmas break, it was great. Although it was not so much explanatory as descriptive. I liked it because of the notions employed in that little piece, like closedness and hole, love, melancholy, etc. This essay from Telos resonates strongly with Catherine's. Even the style was similar to hers. I decided to read it through. It turned out that I was affected by this little interesting, rich essay. If it is rare to get captured by semi-academic essays, this piece on Gilian Rose certainly falls into this category. With the the teaching from the very essay that some parts of Love's Work are borrowed from Antigone, I got it from the library.

Such a thin book. Such a tragic presence. For after this little effort of writing and pondering, Gillian Rose passed away because of cancer. It is an unusual book, not only because of its significance as the period finishing the sentence of Gillian Rose's life, but of its strange structure and the exhibition of her great vocabulary (this can only established with the awareness of the status of English as my second language). I attempted to read, and finish it the day I touched it, then I realized I was wrong. It was very difficult, literally and also systemically. I gave up, on the bus.

I picked it up from a pile of books again yesterday. I have been suffering cold and lazyness these days. All major projects self-assigned have not been finished on time. Out of desperation and anxiety, I decided to read something different, as a way to return to the normalcy and routine. It is working. A book with no content table and index magically brings me away from the dysfunction of my brain (perhaps instills a new type of dysfunction, perhaps). The subjective experience underlying shows that there are mutiple ways of reading, of experiencing thought-systems and words, feelings and rationality. I am reading again, magically.

Love's Work is very difficult. The first part starts with Rose's personal accounts of three different cities of death. From New York, to Poland, back to England. The central message she intends here is best summarized as a short quotation she is fond of: "Keep your mind in hell, and despair not". A message certainly addressed to us readers, but primarily to herself. To somone who is conscious of the ultimate coming of Judgment, religiously; of the coming of her life's end, secularly. The stories are quite interesting but all come with enlightening characterisitcs. Each story is told with plainess. Plain fondness, surprise, resentment, despise. Yet each story comes with the revealing fact that the main character (perhaps, protagonist, properly speaking) all suffers illness. Cancer, just as she does. But they live, persevere, only naturally. Some of them flow with the wind with the life-long optimism, some of them ignore the existence of cancer. Bright color and light, I can envisage. But only clounded under darkness and invetibality. Tragic indeed.

The second part, which I am reading, seems to be some sort of personal history starting with some fragments collected from memory. Family, childhood, ethnicity, culture, religion, marriage, language, etc. Using herself as a case study, Gillian Rose points out two kinds of life, stone and rose. One eternal and cold, the other this-worldly and passionate. They converge. They are the same. Everything repeats itself twice. Yes, stone and rose. Only the finite humanity comes in between. It seems Gillian Rose tries to struggle with stone and rose, with the final determination to return to the finite humanity. Therefore, she wisely puts down such words: "my protestantism against the broken promises of the mother-tongue."

I want to emphasize again the literary difficulty of this thin book. On every page there are words I don't know. With the aid of Oxford English Dictionary (online edition), I'm slowly finishing this book.

So much for today. It seems I have got a lengthy entry :)

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Been A While...
[info]arcyoung
It's definitely hard to keep a journal. To come to the same webpage and type out what happens everyday can be very boring, provided that nothing new has happened. My poet friend Jett is good at putting up lengthy entries and I am always amazed by that. He is a poet, anyway. You may say. But he writes beyond the poetic realm. In reality, he produces fewer poems than we thought -- about 2-3 per year. He writes about everything, anything. From daily trifles to his comments on Kantian ethics and aesthetics. I suspect it has something to do the fact that English his first language. If English was my first language, it would be so much easier to write anything I want, I'm pondering. But I haven't written in Chinese for quite some time either. And I doubt I could write as beautifully as Jett does. What could keep Jett updating his blog? A kind of special personality? Perhaps. I'm simply not that type of person to do this. But this is way too simple an explanation. My personal experience has taught me that I'm not born in a certain way. For so many things I did before, I saw different selves flowing through different moments. I've changed myself through waves and waves of things. To keep a journal is certainly one way to change oneself but at the same preserve oneself. To appreciate different moments of the life and generate new momentum for the rest of it. Secondarily, I'd say keeping a journal is a wonderful way to improve my writing skills, provided English is not my first language, and Chinese my first language that hasn't been used for quite some time.

One and a half years ago, I read Millan Kundera's Books of Laughter and Forgetting. I remember Kundera's strong criticism and satire of the so-called graphomania. Backed then, I remember, I thought I learned a big word; I remember, I asked Yongdeok if he has heard about this word before, and when he said no, I felt I was catching up with him. I certainly missed the point of this creatively coined term. The point of making up a new word that originally did not exist in the English dictionary is that everyone likes to talk about something, and writes about something, but only in a meaningless way. With this in mind, I try to put thoughtful entries on this blog. Enclosed, of course, with a sense of privacy.


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